Showing posts with label GLBT. Show all posts
Showing posts with label GLBT. Show all posts

Year in Review: Music Videos a.k.a. Short Movie Musicals

I couldn't be happier that the music video has regained its cultural capital in the age of YouTube. There's something about the form that is just magical. Or maybe it's just that it's been the most reliable fix for movie-musical lovers during the past 30 years. You can pretend these 3 to 5 minute show stoppers are but one scene in a larger movie musical, can't you? At least that's what I do with my favorite videos.

So herewith, several favorites in no particular order. If you're wondering what music videos have to do with The Film Experience remember that they're short films and that this year's most celebrated director David Fincher (The Social Network) started that mammoth career by making mammoth music videos for Madonna (among others).

Please to enjoy. And let me know your favorite(s) in the comments.

8 FAV MUSIC VIDEOS OF '10
Why only 8? I ran out of steam. You don't have time to watch 10 anyway.


Brandon Flowers "Crossfire"

In which Charlize Theron kicks much ninja ass. I love the self-effacing helplessness of your rock star hero who just can't stop getting into predicaments from which his hot girl (Charlize) must rescue him. Movie stars slumming in music videos is one of the best things in the world though this video does bring up my constant worry about Charlize: Why is she so awesome without making any movies worth caring about?



Janelle Monáe (feat. Big Boi) "Tightrope"

Those feet. The way they slide, spin, shuffle, dance. It's quite a feat.



Cosmo Jarvis "Gay Pirate".

I heart this so hard. That "Yo Ho" chorus is to die. Plus, it's lit and choreographed cleverly for one take (joy) and it's easily enjoyable both on the surface -- gay pirates!  -- and moreso if you want to dig deeper (think don't ask don't tell) which is the best kind of artistic trick.

But there's more: Jake Gyllenhaal, Gaga, and more one-take madness coming...

...



Lady Gaga (feat. Beyoncé) "Telephone"

I mostly love this one for the costumes, the Amazon aggression and the Kill Bill and Thelma & Louise shout outs. True story: I was playing charades the other night at a Christmas party and I had to act out this dance. HIGHLY EMBARRASSING.


Cazwell "Ice Cream Truck" [NSFW]

Because it's raunchy/hilarious (NSFW). Cazwell's songs sometimes have good laughs (I Saw Beyoncé at Burger King -lol) but this is the first video to match/surpass the fun embedded in the song.



Vampire Weekend "Giving Up the Gun"

Four things we love in different contexts entirely: tennis, Vampire Weekend, funny Jake Gyllenhaal, people battling with themselves through the magic of movie editing. These four things together = quadruple happiness.


Cee-Lo "F*** You"

A musical biopic (of sorts) that's actually entertaining. The only thing that would make this video better is if Cristal, Ronnette & Chiffon were playing the doo-wop chorus behind the counter.


Ok Go "This Too Shall Pass"
[Rube Goldberg Machine Version]

Ingenuity, humor, and one take which continually ups the ante. It's for anyone who has ever marvelled at How Things Work. The ending is so great. The one take thing is an addiction we too rarely get a fix of -- we love it within feature films even more; over there it's an endangered species known as "the long take."  I couldn't find much statistical data about ASL (average shot length) on the web -- most of it is really random studies of singular movies but everyone knows it's been decreasing steadily for years. It's definitely under 4 seconds now, maybe closer to 2 with action films, which are even more shard fragment-like coming in under that.

Now it's your turn. Which music videos did you love this year?

Exit Music: This last one isn't an all time great music video, but it's my absofavorite song this year so I have to end with it.

Links: True Grit, Spidey, Gay Rugby, and "Original" Films

Movie|Line celebrates a year of "The Verge," their great up-and-coming actor series.
Cinema Blend goosing the sales of True Grit (the novel)
Today One of the Fantastic Four will die in the comic's #587th issue. Does anyone still believe in these marketing ploys? I'm sure they'll come back to life within 3 years. That's how comics do.
MUBI The great Michel Piccoli is 85 today. Has anyone seen La Belle Noiseuse (1991)? That's such a good one.
CineEuropa international actor Armin Mueller-Stahl will receive a lifetime achievement award at Berlinale this year.
The Guardian talks to Andrew Garfield about Spider-Man (with audio)
Blog Stage an informative and weird animated bit describing what's going on with Spider Man's Broadway disaster.
Towleroad Mickey Rourke to pay gay rugby legend Gareth Thomas in a sports bio. We've had a lot of sports bios at the movies but you can't say we've had a lot of rugby films, gay or otherwise.
Scott Feinberg, fine Oscar pundit, delivers his top ten.

Finally, the New York Times has a totally bizarre article called "Hollywood Moves Away from Middlebrow Movies" which is about the new quality edict in Hollywood. I never understand these articles which seem to find all sorts of bizarre trends that the box office data doesn't actually support like "originality sells!" Er, no... I wish! I knew the article was in trouble when it says that Hollywood is going for quality and Tim Burton's Alice in Wonderland is referred to as "arty" example of directorial artistry. Let me get this straight, in an article praising studio interest in Quality Original Films one of the prime examples is a messily 3D converted 2D film of a story that's been adapted literally dozens of times for the movies back to the days of silent film?

sigh

I swear to the cinematic gods that that one 2010 junkpile is going to be the death of me. It will not go away. I'll even have to be dealing with it in 2011 for the Oscars. Nooooooooooooooooo
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Year in Review: Best LGBT Characters

year in review part 3 of several

FacebookWith 2010 about to wrap, let's do a top ten list albeit a very specific one. Let's make like Barbara Walters and choose The Most Fascinating (Fictional, LGBT) People. Barbara obviously uses a different criteria than "fascinating" in her annual roundup. Hers seems closer to "constantly in the news /has overworked publicist"  and our choices are also debatable. The ranking is somewhat arbitrary. It's a glorified excuse to talk about people, in this case the LGBT characters who were on movie screens in 2010. So let's get to it.

The Invisible Man
This following list is dedicated to the openly gay "Chris Hughes" in THE SOCIAL NETWORK, portrayed by Patrick Mapel (pictured left with Jesse Eisenberg as Mark Zuckerberg in the movie). Because this excellent movie chooses to focus so tightly on its intellectual property lawsuits, fraternity "punch" lust, and that central squabbling sextet of Ivy League straight boys (Zuckerberg, Saverin, Narendra, Parker, and "the Winklevii"), it apparently didn't have much room for diversity; the women and the gays involved in the Facebook story don't get much attention.

Read the list of the year's best gay characters at my weekly column @ Towleroad featuring The Kids Are All Right, I Love You Phillip Morris, La Mission and more.

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Glenn Close as Albert Nobbs

Glenn Close got back in front of movie cameras two days ago. Albert Nobbs has just started filming. She plays a cross dressing woman in 1890's Ireland.

[photo src]

Barring the movie going to cable (these things happen) of failing to get distribution (these things happen, too) will Glenn Close finally be back in the Oscar race next year at this time? She was last nominated for 1988's Dangerous Liaisons over twenty years ago. Since that Oscar regular heyday (5 nominations all within the 1980s) she's gone on to win 3 Emmys, 1 SAG and 2 Golden Globes for television roles.

The film is directed by Rodrigo García (pictured left with Close) who specializes in the actresses, most famously in television or in films like Mother & Child, Nine Lives and Things You Can Tell Just By Looking At Her. We hope he finds new inner fire as a writer/director this time. The talent with actors is obviously there but the energy of the filmmaking, some sort of electric spark is missing. So far. Will this project be the game changer?

The movie is based on the short story turned play The Singular Life of Albert Nobbs which the diva actress previously played on stage... before she was ever in a movie! I couldn't find a photo from the play but here's a review from 1982 (!) of Ms. Close's performance, the same year she first hit the big screen in The World According to Garp. Michael Gambon and Jonathan Rhys-Meyers co-star.